At its core, Radiant Geometries centers Indigenous ways of knowing that continue to shape relationships to territories, waterways, and interspecies care. The exhibition reframes the histories of mathematics, architecture, and science to highlight Indigenous knowledge. These ideas emerge through Eamon Ore-Giron’s painting of an Incan dark constellation, Patrick Martinez’s installation inspired by the pre-Columbian murals on the Cacaxtla pyramid mounds in central Mexico, and Natalia Montoya’s totemic sculptures referencing an Aymara dance that honors agricultural cycles. Newly commissioned works will respond to sonic technologies, the dynamic beadwork of Cheyenne cultural belongings held in the Panhandle-Plains Historical Museum, and Mayan ceramics in Rice University’s collection, which will feature in the exhibition. Collectively, the works situate creation stories, ceremony, and kinship as living knowledge structures that shape relational understandings of the world.